Martin Heidegger’s facticity otherwise known as Thrownness is incorporated with the characters in the novel The Boy in the Striped Pyjamas. The individuals face existential boredom, because they could not make choice of their own, which leads to their self-deception and bad-faith. This paper highlights facticity in the life of a German boy Bruno, meanwhile, it throws light on Shmuel, the Jewish boy in the concentration camp. This article focuses on the existential crisis of both the innocents. It underscores the facticity through historical anecdotes. It also represents thrownness through the manifestation of misery in the minor characters. The research paper emphases on despondency and its repercussions based on the destiny of an individual in the conflict zone.