ABSTRACT Indian drama becomes incomplete without the touch and flavour of Indianess in it. When it comes to drama, especially the Indian mythological ones; the addition of the Rasas and Bhavas play a vital role in the stage performance. However it gets more beautified when the playwright too chooses to add the elements of Rasa to enrich his script. “The Fire and The Rain” is one such plays wherein Girish Karnad has gone an extra mile to add an aesthetic essence to the script of the play. The play is analysed on the bases of one of the Rasa element which is called the Rudrarasa ( rage). The deliberate addition of Rudrarasa by the playwright deepens the aesthetic flavour of the play. Rage is considered the root cause for all the major actions in the play